The Town

I’m not sure why I pulled The Town out of the Red Box machine.  I think it was part intrigue and part wanting to watch something dramatic.  I’m one of those strange cats that kind of likes Ben Affleck, especially when he gets to play roles in his hometown.  Either way, I picked it up and gave it a watch.

I’m not sure if the movie is more about Charlestown Massachusetts or if it is about a bank robbery crew (led by Doug played by Ben Affleck and Jim played by Jeremy Renner).  Maybe it was a little bit of both.  Either way, the movie opens with a statement that essentially says that Charlestown is the bank robbery capital of the country.  The movie then proceeds to show a bank robbery scene.  During the robbery the silent alarm gets pushed and the robbers take a hostage and leave her by the river after taking her ID.  It turns out that she lives in Charlestown.  As the crew decides whether or not she knows anything, they are being investigated by an FBI Agent, Adam Frawley (Jon Hamm).

This was the second film directed by Ben Affleck.  I never saw Gone Baby Gone, but if the film making were on par with The Town, I imagine it was a well made film.  I was also glad to see Jeremy Renner, who earned his Golden Globe nomination and I predict will get another Oscar Nomination (he was nominated for Best Actor last year for The Hurt Locker), this time for Best Supporting Actor.

The movie was very good.  It had some difficult themes and showed an element of life that I just am not familiar with – the convergence of poverty, drugs and crime.  Ben Affleck was respectable in his leading role.  However, the film was really driven by three factors: Jeremy Renner, Jon Hamm and the three robbery scenes.  Ben Affleck directed the robbery scenes with precision and they were executed flawlessly.  As with all good crime dramas, there was considerable violence.

The Town borders on an area of film that is hard to reconcile for me.  I appreciated the fantastic film-making, acting and the quality story.  However, I didn’t find the film entertaining, per se.  What I mean is that I didn’t enjoy the film, but I appreciated the intensity and the action.  To that end, it fits within the genre.

4/5

Posted in Movies, Reviews | Tagged | Leave a comment

Easy A

The movie Easy A first caught my attention when I saw Emma Stone on Saturday Night Live.  A few months later, my sister-in-law told me about the movie and suggested that my wife and I see it.  I knew the basic premise of the movie based on what I saw on Emma Stone’s SNL opening monologue.  Other than that, I was flying blind.

Olive (Emma Stone) has such an untarnished reputation that she is essentially unknown in her school.  However, when she is overheard by the school prude Marianne (Amanda Bynes) lying to her best-friend about having sex with a college guy, she suddenly finds herself with a reputation – of being a hussy.  She cements the reputation by faking having sex with her gay friend so that he will stop being harassed about his sexual orientation.  Before long, she is helping guy after guy improve his reputation by tarnishing her own.  The only two people who don’t believe that she is doing what the rest of the school thinks are her childhood crush and the school mascot, Todd (Penn Badgely), and her favorite teacher, Mr. Griffith (Thomas Hayden Church).  The movie includes roles by Patricia Clarkson and Stanley Tucci as her parents and Lisa Kudrow as the school guidance counselor and Mr. Griffith’s wife.

To be honest, when I heard the title, I thought Olive must sleep with nerds to get better grades.  I couldn’t have been more wrong.  Emma Stone plays a highly intelligent girl who just got caught up in a series of bad decisions.  The title is a reference to Nathanial Hawthorne’s The Scarlet Letter, in which the A stands for adultery.  The book also serves as an appropriate backdrop for the storyline.

Emma Stone did an admirable job in the role.  I think she certainly earned her Golden Globe nomination.  Other than Emma Stone’s performance, though, I didn’t think there was anything redeeming about this movie.  I find it grossly discouraging (albeit realistic) that if a guy has sex with a girl his reputation skyrockets while hers plummets.  I also resented the notion of the film that she took payment for spreading the lies.  This factor brought a new interpretation to prostitution.  The story takes an unfortunate turn when Marianne’s boyfriend ends up with an STD and says he got it from Olive.  The true identity of the source creates a further sad commentary about society.  The only remotely redeeming factors are that through this all, Olive’s parents are supportive of her and never question her and that her childhood crush never falls for the gossip and stays true to her.  The writers create clear and understandable reasoning for this and that is refreshing.

At the end of the film, I was quite disappointed.  I think had I seen the movie just based on my primitive knowledge from the SNL monologue, I probably would have liked it more.  However, given the enthusiastic recommendation from my sister-in-law, my expectations were higher.  The movie has its charm and a decent moral, but I found the social commentary sad.

2/5

Posted in Movies, Reviews | Tagged | Leave a comment

Dinner for Schmucks

Steve Carell is one of those actors who I either really like (Michael Scott in The Office) or want to poke in the eye (Maxwell Smart in Get Smart).  So, I had no interest in seeing this movie.  But when my wife called from the video store and started rattling off movie names, when she came to Dinner for Schmucks I said to myself, “self, what the hell” and told her to rent that.  However, before I go on, it was because of Paul Rudd, not Steve Carell.  I have loved pretty much everything I’ve seen Paul Rudd in – even Clueless.  (Oh and I’d like to give a shout out to Role Models because I have recently signed up to be a Big Brother with Big Brothers Big Sisters and am just waiting to be matched with my first “Little”.)

Dinner for Schmucks is about Tim (Paul Rudd) who is vying for a promotion at work.  When he impresses his boss, he is invited to dinner at his boss’s house.  He is told that upper management at the firm invites idiots to dinner to make fun of them behind their backs for sport.  They give the biggest idiot a trophy and send them on their way, none the wiser, while the person who brings the biggest idiot is praised.  Tim tells his fiancee, Julie, about what appears to be a pending promotion and the catch.  She asks him to skip the dinner because making fun of people, well, just isn’t cool.  Tim is about to back out when he hits Barry (Steve Carell) with his car.  We learn that Barry is a part-time taxidermist who has an affinity for mice.  He carries a book with pictures of his “Mouse”terpieces around with him.  If it isn’t worse, Barry thinks he should pay Tim money for getting in the way of his car to save a dead mouse from being squished.  Tim pegs Barry as the perfect idiot and invites him to dinner.  When Barry shows up on the wrong night, chaos ensues as Barry’s good intentions lead to problem after problem for Tim.  The film also features a hilarious role by Zach Galifianakis as an IRS auditor and mind controller whose powers only work on Barry.  We also get to see appearances by ventriloquist Jeff Dunham and Chris O’Dowd (Roy from the Britain’s The IT Crowd) as a blind fencer.

The movie was directed by Jay Roach, who brought us the Austin Powers trilogy and the first two Focker movies.  The feel of the movie is definitely more Focker than Austin Powers.  It’s also the second time that Paul Rudd and Steve Carell have played friends in film (the other being The 40 Year Old Virgin).  The movie is based on a French film called “Le Diner de Cons”.

I had low expectations for the film.  I don’t know why, but it just looked stupid.  However, after watching it, I should have expected more, because hell, Paul Rudd is in it.  I also didn’t realize that it was made by Jay Roach until I was watching the opening credits.  I also have to say, that Steve Carell is more in The Office form that Get Smart form.  I’m not sure who is dumber, though, Michael Scott or Barry.  I do know, though, that while Michael Scott is an asshole in his stupidity, Barry is endearing.  In the end, like any good buddy movie, everything patches up and Tim and Barry become good friends.

There was one thing that is kind of disturbing out the film, but is also absurdly funny.  Barry’s taxidermy is limited to mice and several times in the movie we see scenes he has created.  These scenes typically depict him in some setting.  It’s a clever way to add narration to parts of the film, but it is a little creepy at the same time.

Overall, Dinner for Schmucks far exceeded my expectations.  It’s not at all kid friendly and often has a lot of connotation that isn’t explicit but is easily understood.  That isn’t to say that it is a good movie by any means.  However, it will produce more laughs than you’d think, and perhaps like due to the mean spirited premise.

3/5

Posted in Movies, Reviews | Tagged | Leave a comment

The Social Network

I wouldn’t be a very good technogeek if I weren’t familiar with social networking.  I think it’s incredible how the new media has evolved.  My first experience with social networking came in 2004 when I was helping coach Hillcrest High School’s debate team.  All of the kids were using Myspace and so I joined to stay in touch with them.  I signed up for facebook in early 2009.  My wife was using the site and found that her high school class was using it to plan their 10th reunion.  I joined and found out that my class was doing the same.  I don’t live on facebook like some people, but I definitely use it and appreciate the medium.  To that end, when I heard a movie was coming out about the founding of facebook, I was excited.  When I found out Aaron Sorkin wrote the script, I simply had to see it.

Unless you’ve been living under a rock, you know what social networking is.  If you are reading this, then you better.  The movie is about a student at Harvard, Mark Zuckerberg (Jesse Eisenberg) who, after being dumped by his girlfriend, designs a website allowing Harvard students to compare the hotness of Harvard girls in a drunken coding rampage.  The site crashes Harvard’s network and Mark becomes hated by women and is put on probation by the university.  He is recruited by some wealthy friends to make a social networking site for Harvard students, but rather than deliver on their project, he uses the idea to create thefacebook.com.  As the site grows, through the advice of Napster creator, Sean Parker (Justin Timberlake), he ultimately betrays his best friend.  The flow of the movie cuts in and out of depositions in the two law suits Mark is facing.  In the end, Mark ends up settling both lawsuits on the advice of council and virtually alone.

Biographical movies are a strange beast, especially in the days of the internet.  The accuracy of the story has to be balanced with entertainment.  What I gathered from Jesse Eisenberg’s interpretation of Mark Zuckerman is that he is brilliant and a social retard.  He never developed a social filter and would probably benefit severely by learning how to win friends and influence people.  Regardless, Jesse Eisenberg was masterful in taking his neurotic persona that is evident in Zombieland and making it even more neurotic.  I haven’t seen a lot of the movies with Oscar buzz this year, but Eisenberg’s Mark Zuckerman may garner him some awards this winter.  Justin Timberlake and Andrew Garfield were both very good in their roles surrounding Mark Zuckerman.  If the movie displays events accurately, Mark is bated in the middle between these two incongruent characters.

The film making was superb.  The movie was paced beautifully.  However, my favorite part of the movie was the script.  I have a man-crush on Aaron Sorkin’s writing.  A Few Good Men, The American President, Sports Night, The West Wing, Studio 60 on the Sunset Strip…all easily some of the best writing on television and in films.  Sorkin hits a home run yet again with The Social Network.  The thing Sorkin does better for me than pretty much anyone else is create engaging and valuable dialog.  The value of banter can’t be measured, and that’s why I love Aaron Sorkin’s writing.  If you prefer explosions to conversations, you may not agree.  However, I can’t imagine anyone not appreciating the script.

In the end, there was absolutely nothing that I didn’t love about The Social Network from the opening sequence to the end credits.  In a personal era in which I don’t buy a lot of DVDs anymore, I will own this film.  Next to Inception, for me it is easily the best film of 2010.

5/5

Posted in Movies, Reviews | Tagged | Leave a comment

FlashForward Season 1

Last fall, I watched a couple of episodes of this show and thought it was an interesting concept.  However, I had so many shows, that this show slipped through the cracks for me.  Thanks to my Hulu Plus subscription, I have been able to catch up on this cancelled show.

The show’s premise is that the entire world blacks out for 137 seconds.  It is easily the biggest global catastrophe in history as 20 million Americans alone die.  During the blackouts, they all glimpse 2 minutes and 17 seconds of the same day and time of their future (referred to as flash forwards).  Some people don’t see anything, and thus the assumption is that sometime between now and the future date they die.  Over the course of the season, the FBI investigates who caused the blackout and whether or not the future events are inevitable.  The premise pretty much set the show up for a single season, but about 2/3 the way through the season, the writers inserted that there would be future blackouts and inevitable chaos.

The premise is based on the book by the same name by Robert J. Sawyer.  The season of the show manages to maintain a lot of intrigue and adequate pacing.  It’s utterly fascinating how these seemingly random futures weave in and out of the realm of possibilities and ultimately collide.  The show is very serial and missing one episode would throw off being able to follow the entire storyline.  Ultimately, the writers end the season predictably with most of the flash forwards coming to fruition.  However, the season (and the show) ends on a cliffhanger ending and a second global blackout and glimpses of more distant futures.  It seems possible that with this tactic the writers were hoping to nab a second season.

However, it is no surprise that the show didn’t last more than one season.  With Lost and 24 both being in their pre-determined final seasons, the second half of the season probably got trampled in ratings as people can only handle so many serial TV shows.  The show also suffered because of the complexity of the story lines surrounding the relatively large ensemble.

I thought the show was a fantastic concept and despite the large ensemble, was executed very well.  It raises questions about destiny and free will.  In the end, very little about the flash forwards changed, and thus despite the cliffhanger, it seems likely that the writers predicted that it wouldn’t be renewed so they decided to wrap up the story lines and have the flash forwards come true.  After all, it would be a lot harder to make people interested in following a second season since the message of the show is that the flash forwards are essentially destined to come true.

In the end, I think FlashForward is worth the watch.  If you have Hulu Plus or are looking for something to rent (or pick up on the cheap) I would certainly recommend the first season of FlashForward.

4/5

Posted in Reviews, Television | Tagged , | Leave a comment